Framed painting of the 1914 Schneider Trophy hanging in a bright modern study above a walnut credenza, illuminated by a sleek brass picture light.
Oil painting in a champagne gold frame showing Howard Pixton's Sopwith Tabloid floatplane banking hard over blue Mediterranean water during the 1914 Schneider Trophy, with the Monaco coastline in the distance.

Around the Mark - Monaco 1914

Available

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Medium Oil on panel
Dimensions 14″ × 20″ (36 × 51 cm)
Framing Champagne gold with linen slip
Year 2026
Exhibition Guild of Aviation Artists' Annual 2026

Howard Pixton banks his Sopwith Tabloid floatplane around the turning mark during the 1914 Schneider Trophy at Monaco, the little biplane above the deep blue Mediterranean. A competitor can be seen in the distance, flying low past the historic shoreline.

Pixton's victory on 20 April 1914 was a landmark in early British aviation. The Sopwith Tabloid — originally designed as a wheeled landplane — had been hastily fitted with floats for the contest, yet it completed the 28-lap course reaching a speed of 86.78 mph, lapping the entire field and finishing two laps ahead of the nearest rival.

The Schneider Trophy was established as the premier proving ground for high-speed aircraft design — a tradition that would culminate in the Supermarine racers of the late 1920s and the development of the Spitfire.

The Monaco coastline provides a backdrop of sun-bleached architecture against the deep blue of the sea. This painting exhibited with the Guild of Aviation Artists in 2026 and won the Pioneer Trophy. Signed lower right, dated lower left, with '1914 Schneider Trophy' written in the lower centre.

Interested in this painting? Simply get in touch, then I'll confirm availability and talk you through the details.

Detail Views
Close up of Howard Pixton's Sopwith Tabloid showing the wire-braced biplane wings, twin floats and spinning propeller as it banks over the water.
Sopwith Tabloid floatplane banking
Close up of the background showing a distant competitor aircraft flying low past the historic archways and sun-bleached architecture of the Monaco coastline.
Monaco coastline and distant competitor
Close up of the champagne gold picture frame, inner white linen slip, and the artist's initials painted over the deep blue Mediterranean water.
Champagne gold frame and linen slip

Enquire about this painting

Let me know if you're interested in this painting, and I'll reply with pricing and shipping details for your location. Some works are shared with partner galleries or at exhibition, so I'll confirm availability personally, usually within one working day.

Every enquiry comes to me directly, and I'm always happy to answer questions about the painting, the framing, or the shipping before you commit to anything.

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A person's hands adjusting the framed painting of the 1914 Schneider Trophy against rich dark wooden wall panelling under a warm picture light.

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You can speak to me directly by email: gregory@marinepaintings.art or phone: +44 (0) 7916 066 226

Marine artist Gregory Smith
Gregory Smith
Marine Artist · Southampton

Oil painter specialising in maritime subjects. I've exhibited seven times with the Royal Society of Marine Artists, becoming a membership candidate in 2026. Works held in private collections across ten countries.